Everything else is original although it has, at some stage, had a small access hole neatly cut in the back to work on the (original) electronics, which doesn't change the tone and playability of the guitar and makes it easier when/if you ever do have to work on the pots. The pickups are run through a standard master volume, tone and three way rotary switch which doesn't have it's original selector knob but works fine. The bound flared end headstock is beautiful but unfortunately this one is missing the original badge. This era Teisco in the upper range had amazing necks and this one is no exception. The neck is rock maple with a bound rosewood fretboard and is super thin/flat. It adjusts from the top for height with four screws that 'pull' the bridge up on two metal housings on each side rather than 'pushing' from below. The bridge is the same as the more upmarket solid bodies with adjustment for height and intonation. The 'cut down' version of this vibrato was used on solid bodies without the 'fake' tailpiece and it's basically a Mosrite unit in squarer, less aesthetically pleasing form, although, like the Mosrite unit it works very well. These vibratos appeared in '66 as all the hollowbodies got vibratos as well. Some had mixed hardware as the transition happened and this one has the same tuners as my Excetro and Honey guitars that were made in the Tesico Gen Gakki (NOT Teisco) factory but all the other hardware is pure Teisco. Later versions had the square pole piece type after the Kawai takeover in '67. This one has the earlier Teisco made big bar magnet pickups that are clear and wonderful with great output. It's a very strong and accurate joint but the square heel and pocket sides may deter some people from heading up the dusty end? The bolt on neck is set into the sometimes used pocket with sides that some Japanese manufacturers used and is attached with four screws into a thick metal plate hidden under the plastic plate you see here. The quality and finish is superb as to be expected from the Teisco factory by this stage and this being the top of the line. It's a thick laminated archtop and back body body with top and back binding and bound F holes. I've owned 66's and they're a BIG guitar and even this thinner, more comfortable version still feels big. Let me start by saying this is a BIG body. The only difference was the thickness of the body with the 40 being 40mm thick and the 66 being, you guessed it. The only hollowbody dearer than this was the 12 string version with slotted Ric style headstock sold as theВ '66 Vibra Twin.

They had been making hollowbody electrics since the 50's but in '66 they got a complete overhaul with double cutaway hollows now being offered and the Teisco Vegas 40 and 66 were the top of the line hollowbodies in the catalogue and only 1,000 yen apart in price. They were one of the biggest brands and probably the best known overseas.

The Vegas was introduced in 1966 by Teisco who were on an absolute roll when it came to guitar manufacturing in Japan.

I have of course written a lot about Teisco in the past and even though I've owned a few of these, I've never written about them, so.

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